Video

Shoe Company Pays Madman to Drive Around San Francisco

In case you have been wondering about the reason for the new tire tracks all over San Francisco we've been seeing recently, it turns out that DC shoes (which I think is an American Eagle for skateboarders or whatever) filmed some sort of a drifting reinterpretation of Bullit.  And if you can get past the fact this is a giant commercial, it's not a bad watch.

(And should you be interested, JJ San has a bunch of shots from the video's filming in Potrero Hill, including the crazy helicopter-camera-thingy they used to get the aerial shots.)

(Thanks for the tip, Jeff!)

Reality TV Show About Bike Messengers Being Filmed in the Mission

Here's the casting video featuring a bunch of riders from TCB Courier:

And another casting video with the owner of Pushbike on 22nd and Shotwell, among others:

We hear that the pilot is for The Weather Channel and they start filming tomorrow in the neighborhood, so be sure to keep a look out for the cameras in Dolores Park, Uptown, Pop's, St. Francis and other such places this weekend.

Local Band French Cassettes Really Into Primary Colors, Hand Socks And Summer Sounds

Back in May this cool thing happened called the Music Video Race — 16 local bands were matched up with 16 filmmakers to create 16 music videos over the course of one weekend in San Francisco. The result were 16 pretty awesome bits from local bands, my personal favorite being the above “Mouth Drum” by the French Cassettes. The video reminds me of a smaller version of the Brady Bunch, or that time when someone who wasn't me 'shroomed in my parents basement while playing Twister.

If you have some time, watch them all and enjoy.

San Francisco Music Video Death Match Week, Round 3: Huey Lewis And The News - I Want A New Drug

As a kid born in the mid eighties, 90s music videos hold a very special place in my heart. But none of the San Francisco-centric videos we seen on Uptown this week can stand up to this juggernaut - Huey Lewis and the News' 1983 hit 'I Want a New Drug'. Otherwise known as “that song they ripped off in Ghostbusters”, the quasi-local Huey Lewis and the News produced a San Francisco-centric video that still resonates with the lives of many residents today.

Let's start at the beginning of the video. After a particularly rough Whiskey Wednesday that ended with the procurement of 1980s-caliber blow from a bartender at legendary SOMA hotspot Caribbean Zone, 'young' Huey (he was 34) wakes up disheveled and hungover in the middle of the afternoon. Huey dunks his head in ice water while repeatedly declaring his great need for a new, less adverse chemical substance. Not long after, he realizes that he's late for his own show, hops in his piece of shit vintage (even for then) Karmann Ghia, and speeds down Potrero Hill. This is where things in the narrative start making a lot less sense… 
 
Huey makes it to a ferry boat in the nick of time. He downs an entire box of alka seltzer, which is served to him by a bow tie wearing waiter cause fuck it it was the 80s and why the hell not have bottle service on a commuter ferry. Dude probably offered him blow too, but Huey is still hungover and, at least for the next 48 hours, is convinced that he needs a new drug. Rocking a bright ass red suit, Huey starts getting sideways glances from the cookie-cutter Patrick Bateman corporate stand-ins (aka: future fans) who are apparently also really late for work. It won't be until 1986 that Huey realizes it's hip to be square and tones down the colors of his wardrobe. 
 

PICTURED: Hypothermia and non-SAG/AFTRA day rates

 
At this point, it seems like the LA-based director of the music video becomes disappointed by the overall grey-ness of the Bay Area, and asks his location manager if there's any way they can “make the Bay look more like Santa Monica”. Their casting director obliges, and the Bay is then decorated with supermodel caliber girls in bikinis, 'sun bathing' on speed boats in 50 degree weather.
 
Once arriving at his destination (Oakland? Larkspur?), Huey boards a helicopter so that he can immediately fly back to San Francisco, the city that just came from in a pretty big hurry. Huey either literally had a 'new drug' waiting for him in Oakland that he desperately needed to pick up before his show, or his Groupon for a helicopter tour was set to expire that morning. 
 
The rest of the video is pretty standard stuff. Huey makes it to the gig; his Rick Rubin looking tour manager gets pissed that he's late; Huey crotch thrusts into the face of an improbably hot girl in the front row; three clones of Huey Lewis play saxophone together, and San Francisco pop culture history is made. 
 

PICTURED: Two Huey Lewis clones and KevMo on the right.

Tell Me How Those Players Do It In The Western Bay

Couple of SF rap videos from 93-95 because fuck that third eye blind fuckery. No one needs to revisit that bullshit ass music but you can floss your west bay player swag. And also the Get Low is one of the most fun dances you can do. You don't even have to be good at dancing, just bend your knees, bounce, and just look hella cutty when you're doing it.

Third Eye Blind Takes Us on a Semi-Charmed Tour of the 1997 Mission District

For those with a fond memory of 90s pop music, Sunday marked the 15th anniversary of the release of alternative boy band Third Eye Blind's epic jam “Semi-Charmed Life.”  And an epic jam at that.  For many, the song marked the first opportunity for our bad young selves to con our oblivious parents into letting us buy a deceptively dark album because it sounded innocent. For others, an exemplary lurid journey into the fanciful whimsy of drug abuse.

However, ignoring the grim reality that this song is now fifteen-fucking-years-old (and that I actually know what day of the year it was released), its music video is of some serious San Francisco historical significance, as nearly all of it was filmed in the Mission and Dogpatch.

See, the summer of 1997 was a different time in the Mission.  Before all the tech industry types and foodies moved in, before the divisive and tumultuous years of anti-gentrification riots, the Mission was a lovely neighborhood exclusively populated by Latinos and happy-go-lucky tweakers.  And, lucky for us, four of those happy-go-lucky Jesse Pinkman's went on to sell millions of records and indirectly film a video for us neighborhood types to enjoy today.

Sadly, like so many other artifacts from our digital youth, no good copy of this music video exists on the internet, so we'll have to settle for the pixelated blur embedded above.

Below, the highlights:

After riding around the Dogpatch on scooters, lead singer Stephan Jenkins angrily stomps down Valencia Street past Valencia Cyclery, punching a wall for no apparent reason.

As Stephan approaches the corner of 22nd and Valencia, we watch as mid-90s Mission hipster, then known as a dweeb, types sonnets on a real life typewriter outside of Boogaloos, presumably while paying, like, a nickle for eggs.  As you may recall, in the mid-90s, portable electronic typewriters with fruit logos were not readily available, so kids had to haul around gnarly typewriters in their L.L. Bean backpacks with the initials “AZZ” stitched on the back.

Based on the man's layering of long-sleeved outerwear, we can surmise the weather was quite summer-like.

Here we see and the band performing in some empty unknown venue with a big old safe dial behind the stage.  Presumably, this place doesn't even exist anymore.

As the video takes an eastward turn down 22nd, we watch as a flock of mega babes flaunting it on their way to Make-Out Room.  All these girls probably have kids and live in Antioch now, which is just upsetting.

Stephan is shocked—SHOCKED!—that these girls walked passed him, so he visibly gasps in disbelief will strutting backwards towards Mission Street.

Bonus! We can see the old Leed's Shoe sign at the corner of 22nd and Mission, now a Skechers.

(Here's what this block looks like on the Google internet map.)

After getting shunned by the now-mothers, he proceeds to fellate a bunch of produce outside a market, currently a Latin lounge where iPhones go astray.

(Close-up of that market today, to the right of Anita's Beauty Salon.)

Following more bank safe jamming, Stephan goes on to throw a tantrum in an alley.  I'm not sure which alley this is (or why his sideburns are so thin), but it could be Poplar, near Papalote Taqueria:

Finally, Stephan walks across Potrero Hill's Abbey Road, wrapping up our tour of bougeoning 1997 San Francisco.

Crackhead Invents New Way to Ride Muni, Fight Ensues

While waiting in line for the new Nike Air Yeezys yesterday, crowds were delighted to the screams of an elderly woman described as on “that crack” trying to board a F-Market train through the windshield.  Alarmed by her wailing, helpful samaritians tried to help her out by punching her in the face.

From the YouTube description:

Air yeezy 2 campout fight in the tenderloin district in san francisco. all this happened while we were in line at shiekh shoes. this crackhead hopped on the front of the trolly and wouldn't get off, so when the lady in pink tried to be a hero she got a SMACK SMACK to the face. air yeezy campout.

Personally, my favorite part is the dude risking life and limb to tag the trolley while all this noise is going on. Because, you know, it's not like there were any cameras on the scene.

Anyway, SMACK SMACK:

[via SF Citizen]

The Life and Times of a Bay Area Music Composer

Filmmaker Kate Imbach profiles San Francisco modern classical composer Christopher Fulkerson, who has taken up the night shift as a taxi driver to pay the bills following the collapse the industry in the early 90s.  He's got a lot on his mind, like how buying a PC over a Mac set him back for a decade, the collapse of the Soviet Union impacting him all the way here in America, the superiority of pencils, technology expanding his audience, and how driving a taxi opened him up to a nightlife he never knew existed.  It's a frightening, if not sad look into the life of everyday American artists, and it's definitely worth a watch.

The Mission District Remembered

Elliot Bamberger has set out to capture the wonder of San Francisco's various neighborhood cultures and art and structure and icons, doing so by filming little cropped blocks of everything nice and piecing it together in one big motion picture collage.  And, as you can see above, he's finally hit the Mission.

Here's what Elliot has to say about it:

The project seeks to preserve the cultural and architectural authenticity of select San Francisco neighborhoods and provide unseen perspectives, sometimes underlining the city's unique geologic landscapes. I have tried to capture culturally significant aspects of The Mission that may continue to disappear due to changes such as those brought on by gentrification. Furthermore, original San Francisco architecture may be altered to conform to the needs of new incoming businesses and residents or destroyed in natural disasters such as earthquakes or fires. Regardless, the relationship between the people of San Francisco and it's unique geologic foundation is ever changing so I would like to preserve the unique culture and architecture of the city within the medium of video as a document of what I have been so fortunate to experience from living here.

To be frank, I wouldn't have watched this entire thing if I wasn't so hungover (it's longgg).  But, if you're also feeling a little rough around the edges, or have some serious patience for art, do give it a watch:

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