John Waters, Hollywood Smile Train, 2009. C-prints, edition of 5, 26 3/4 x 20 3/4 inches framed. Courtesy of Rena Bransten Gallery, San Francisco, CA
John Waters' fourth solo exhibition at Rena Bransten Gallery entitled, Rush, is now on view through July 10th. The exhibition, aptly titled after Rush liquid incense, the alkyl nitrites inhaled for recreational purposes (more commonly referred to as “whip-its” by the kids I roll with) gives you just that.
Rush boasts a comical fiberglass mixed-media sculpture of Ike Turner forcing his puppet, a fur coat and pink dress clad Tina Turner to perform a sassy dance. Other memorable works are the film stills of Hollywood stars appropriated onto butts, poking fun at the filmie technique of Rear Projection (the works title) and appropriately finishing the sequence of photographs with “the end,” a perfect double entendre! The piece, Hollywood Smile Train, is composed of images of Tom Cruise, Hitchcock, Meryl Streep, and other celebs with harelips, and not in that hot Joaquin Phoenix kind of way.
The exhibition also incorporates a series of photographs taken from the movie set of Pecker, the 1998 comedy written and directed by Waters about a young photographer plucked from Baltimore and promised to become a New York art star. The stills challenge the contemporary idea of the art worlds relationship with celebrity, its obsession with the next big thing, and the excitement and sadness it all incorporates.
The exhibition is an insiders peek into the film and art world as seen by Waters, but manages to keep outsiders in on the joke too. The exhibition ends July 10th.
