Art - The Canvas

Jokes On You

Terrible Diet Coke Ads Receive Deserved Parody

It was nice of Diet Coke to blanket the town in those terrible ads that united San Francisco in confusion and annoyance.  They pandered to techies to the point of coming across as parody, evoking a just leave us alone backlash.  Everyone else just wanted to stab their eyeballs out.

Now, some wheatpaste warriors have replaced the ads with a divine parody.

Although, as SF Citizen noted, “I don’t think that it’s the Diet Coke what causes diabetes, just saying.”

Which?  Sure.  But then again, I don’t think Diet Coke will cause you to drain your grandmother’s bank account to fund your doomed dream either (but Columbian Coke Classic might!).

[via SF Citizen]

Missed Connections Comix

Zantes Indian Pizza

I usually avoid making comics out of posts that reference specific businesses, but I used to live up the street from Zantes and if you’ve never tried their Indian Vege Pizza, it will truly expand your pizza related consciousness. While we’re talkng about pizza, I have some new t-shirts for sale.

Noise Pop Poster Retrospective, Tonight at Bender's

In anticipation of this year's festival, Noise Pop is having a big poster retrospective and sale tonight at Bender's.  The details:

The Noise Pop Poster Retrospective highlights the past and present of Noise Pop Festivals: from the eye-burning colors to the minimalist icons of hand-printed limited-edition screenprints. Bring your poster tube because all of the posters are available for purchase! Artists include:

Lil Tuffy
Alan Forbes
Jason Munn (The Small Stakes)
Matt Leunig
Gregg Gordon (GigArt)

Starts at 8pm!

Clarion Alley Artists Claim "Vengeful" Copyright Infringement in Tech Shuttle Art Contest

Mission Local's $500 shuttle bus bedazzling contest with Genentech, which we once called an “egregious conflict of interest,” is now receiving a new round of criticism—this time from neighborhood artists who feel their work is being used against their wills in an effort to give “'cool camo' for corporations.”

Via an anonymous tipster:

The winning entry for decorating the tech shuttles is a Google Street View of Clarion Alley and Community Thrift.

But the artists responsible for the murals/decorative painting in the photo condemn their art being used for this purpose, and did not support the competition from the beginning. They were even in contact with Lydia Chávez—yet, their art has been co-opted nonetheless.

The status update of the Clarion Alley Mural Project reads as follows: “Mission Loc@l SUCKS!!! & [Editor-in-Chief] Lydia Chávez sucks!!! This comes after a long email exchange with Lydia that included Megan Wilson, Jet Martinez (who painted Community Thrift), Rigo 23, and John Jota Leaños - and we all said that WE DID NOT SUPPORT THIS COMPETITION - Megan, Rigo, and Jet as Clarion Alley Mural Project. … Time to by [sic] an arsenal of paint guns!”

Megan Wilson is a lead organizer for CAMP, Jet Martinez painted Community Thrift (also “Sons of Satya”—“the elephant one”), Rigo 23 was an original founder of CAMP.

Emails between Chávez and Clarion artists, published on Megan Wilson's blog, show an intense rift between the arts community and the shuttles—and a community that wanted nothing to do with the project and rejected the co-opting of their work.

Chávez initially reached out to CAMP in early December, asking the muralists to participate in the contest.  However, the invitation was rejected outright.

“Fuck this!,” John Jota Leaños responded. “I had many subversive thoughts and brainstorms over breakfast, but none would fly … subversive, political, social art does not pass corporate scrutiny.”  He added:

I question Mission Local’s move to promote this and work with FB and others …to exploit artists to beautify their cush-rides while indirectly displacing these same artists… Fijate!

“I don’t know.  Why not give it a try?,” Chávez suggested.

She later admitted, “I would love to see some subversive ideas [in the contest].”

Before the artists requested the contest be retracted, Rigo 23 fired back:

WE DO NOT HAVE SUBVERSIVE IDEAS WHICH WE ARE TRYING TO SELL TO CORPORATE INTERESTS FOR 500 Dollars;
WE ARE NOT HOPING TO HELP THEM BETTER BLEND INTO OUR NEIGHBORHOODS; WE ARE NOT LOOKING TO SELL “COOL CAMO” FOR CORPORATIONS.

Mission Local and Genentech chose to push forward with the contest, ultimately selecting a design which incorporated the protesting artists' work.

Megan Wilson writes, “the selection is not only disrespectful, but also seems vengeful and tacky.”

Reimaging SF Neighborhoods as Their Own Countries

A few weeks back, the SF Arts Commission dressed up dozens of Market Street Muni stops with these vibrant posters by Lordy Rodriquez, which aims to portray several of the city's choice neighborhoods as their own countries.  Via the Arts Commission:

Using the language of cartography, Rodriguez reconfigures factual locations to create fictional territories that illustrate the cumulative identity of a whole neighborhood. Strangerhood features six maps depicting six iconic San Francisco neighborhoods reimagined as independent countries […]

Strangerhood focuses on Chinatown, North Beach, The Mission, The Castro, Haight-Ashbury, and Fisherman’s Wharf, neighborhoods chosen because of their strong cultural identities and tourism economies. Before starting his drawings, Rodriguez visited each neighborhood and photographed storefronts, merchandise, murals, local architecture and color schemes. According to the artist, “How a neighborhood 'dresses' itself, like what kind of stores are there or what kind of merchandise is sold there, reflect the mood and feel of a place.” Rodriquez used the patterns and textures collected during his visits to identify specific areas or “states” within the map. He then layered the text found in the neighborhood’s signage on the map to represent “cities” or “towns”.

We're inherently partial to the Mission poster (full-size it here), which sees Popeye's as the gateway to our dreamy southern peninsula, but Lordy's Chinatown map is the highlight of the set:

The Women's Building Explores the High Art of Toilets

The Women's Building recently unveiled a new exhibit of highfaluting shit buckets.  Perched on their front steps, the unusable works of art are supporting LavaMae, a local non-profit that aims to provide showers for the homeless.

Let's take a closer look:

By far the best of the three, this toilet features a litany of dinosaur figurines, a bicycle horn, and other objects that'd probably be uncomfortable to sit on.

This is just a toilet filled with crap.

Anyway, drop by the exhibit yourself at 18th and Lapidge.

Bizarro Omer Travers Serenades the Symphony

Obviously the portrait is not of Omer Travers, the man once king of Valencia Street's buskers and bawlers, but it might as well be.  Had he traded up his swag rags and guitar for a white tux and piano, well, this would be him.  The resemblence is uncanny.

(Also, we've heard a few rumors that Omer has returned to the neighborhood following his relocation to Arizona, but neither we nor anyone we've talked to has spotted him.)

[Thanks Lindsey!]

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