Local Music

Local Music

Gardens & Villa and Astronauts Etc Stand Out in a Saturated Genre

It seems like just about anyone can record an EP. Grab a MIDI keyboard and a laptop, record a few hooks, sample 12 tracks of harmonies and a plagiarized Lorde beat - blam! You’re the next Banks. But, just because you can do it doesn’t mean you should. In a crowded sonic space, where everyone’s hook sound like everyone else’s, two bands stand out among the pack.

Gardens & Villa headline The Independent Saturday, November 22nd with main support from local Oakland-outfit, Astronauts Etc. Grab your tickets here.

Anthony Ferraro of Astronauts Etc (and Toro Y Moi) shows off his professionalism and songwriting savvy in a genre that’s chock-full of Randy Marsh quality Lorde’s, and poorman’s Beach House’s. Ferraro hit a stride with the release of his debut EP Sadie, getting the single “Up For Grabs” featured on NPR Music.

Ferraro crafts densely layered hooks that he cuts through with an unmistakable falsetto. As wispy as Ferraro’s voice sounds on record, it is still confident. You can tell Ferraro is right at home on stage after years of touring with Toro Y Moi, and countless Bay Area shows fronting Astronauts Etc. This Saturday, do yourself the favor of catching Astronauts Etc in action, and pay close attention to the interplay between Ferraro’s vocal melody and guitarist Derek Barber’s tasteful countermelodies. My guess is they can communicate to each other telepathically.

Gardens & Villa are making the trek up from their hometown of Santa Barbara for a quick run of shows to promote their latest release, Televisor, a collection of B-sides and rarities the band amassed over the years. What Gardens & Villa lack in finesse they make up for in pop-friendly power. Throbbing, repetitive synth patterns are a staple of their work on their latest release Dunes. However, expect a new look from the band on Saturday as they’re highlighting their heavier side on Televisor, trading in a few hand-claps for a thicker guitar sound.

Local Music

Greater Than The Sum of Their Parts: Waterstrider Finds Kinship in Sharing the Stage with Bombino

Waterstrider is sick of you asking about their influences, and they should be. Yes, they listen to afrobeat. They’ve (famously) covered Little Dragon. Lead singer, Nate Salman, also studied Saharan blues. That’s all fine, interesting, and mostly irrelevant. If there’s one point Salman hammers home in the most polite way possible, it’s that Waterstrider’s music is more than the sum of its parts.

“What an artist creates is almost always an amalgamation of every influence he/she has gathered. So naturally, the music that I love comes out through the music I create,” said Salman. You can unpack the music piece by piece, but you’ll be missing the point and missing out on really listening to the music.

This Sunday, Waterstrider plays The Independent with international act Bombino. You can grab your tickets here. Bombino rose to fame for his virtuosic guitar playing and emblematic voice of the Taureg people during the Tuareg rebellion in Niger. He then worked with Dan Auerbach of The Black Keys and made a name for himself stateside. While Waterstrider is far removed from the Sahara, the Taureg peoples’ rebellion and most of Bombino’s life experience, the two couldn’t be closer in terms of a stylistic journey.

Waterstrider is American band that grew up playing American music before turning their ears to foreign influences. Bombino’s sound came from the Republic of Niger, but he picked up a distinct Western influence. The mirrored experience of combining foreign and domestic musical influences is not lost on Salman.

“I definitely feel a kinship, but also a great deal of veneration. Bombino has been a huge influence on me in the last year. Right around the time we were reforming our band, he released ‘Nomad’, which blew my mind. I was pretty obsessed with all the Saharan blues at the time (Tinariwen and a lot of Mauritanian field recordings) and I was trying to absorb that guitar style and tone. I have such immense respect for the Tuareg people and I have never been so honored to play a show with someone. I’m getting to open for a man who is one of my musical heroes,” Salman told Uptown Almanac.

For both parties, the journey to defining their own sound has been a long one. They’d rather not measure it centimeter by centimeter, influence by influence. This mindset is part of the philosophy that earned Waterstrider its name.

A friend of Salman dubbed his spirit animal “waterstrider” because of Nate’s relentless pursuit of his goals in the face of an absurd and beautiful challenge like making music. The same spirit that gave the band its name defines it’s sound and its success says Salman.

“When you stay true to your vision and give as much love to the world as you can, opportunities and adventures reveal themselves constantly. I always try to keep that in mind and I’m so thankful for what that has presented to me so far.”

Local Music

A Responsible And Irresistible Use of Chops: Black Cobra Vipers Kick Off Their Month-Long Residency at The Chapel

Black Cobra Vipers have chops and they know it. Better yet, they know when and how to use their chops. Consider them a bands’ band that also happens to sell out The Chapel on a fairly regular basis. They’re sticking to what they’re good at and kicking off their second month-long residency at The Chapel along with Flagship and French Cassettes on Thursday.

Take, for example, “You Already Knew.” The first time I heard this song it was about 2am and I was in bed. By the second chorus I was trying to suppress my urge to air drum. The band knows how to edge their audience.

As any good drug dealer knows, the first taste is always free. The same goes for the chorus of “You Already Knew”. The chorus drops heavy, and immediately transitions in dynamics to a minimalist verse with Gregory DiMartino’s vocals slinking over Julian Borrego’s winding bassline. Drummer, Rob Mills peppers in some rimshots just to hint at the impending chorus, and right when you’re begging for that hook, it hits.

That, my friends is edging an audience. That is responsible use of chops. And that is a shitload of sound for three dudes to be producing.

Tickets are $12 and available at The Chapel’s box office.