Treasure Island Music Festival

Public Enemy to Open for Girl Talk at Treasure Island Music Fest 2012

Treasure Island Music Fest just announced their fairly epic 2012 lineup (via The Bay Bridged). I've been a fan of the XX and Best Coast ever since I read about them on Hipster Runoff.  Girl Talk speaks for himself.  And Porter Robinson is fun, even if his Essential Mix was pretty much A Clockwork Orange's chair of torture for your ears.

So allow me to just get this out of the way now: I love TIMF.  I love that they mistakenly surrendered a pair of press passes to me last year.  I love the ferris wheel.  I love the cries of under-dressed attendees as the fog rolls in.  It's a helluva time, that music festival on Treasure Island.

But what I'm having trouble wrapping my head around is why Public Enemy is opening for a dude who samples Public Enemy.  Was this done for chronological accuracy and an effort not to fuck up the space time continuum?  If that's the case, Grimes should headline because she's technically in the future and The Coup's should open, as their hair still resides in 1974.

This notable 2011 festival attendee knows what I'm talking about:

The Best Way to Take in a San Francisco Sunset

Here's what you're going to do at TIMF 2012: about 20 minutes before sunset (when the sun is touching the tops of the buildings/imminent fog), buy yourself a ticket for the ferris wheel and get in line.  If you get too close to the front of the line before the sky turns bright orange, jump out and go to the back of the line again.  The best five bucks you'll spend inside the festival gates.

[Oh, and feel free to blow up that grainy pano]

What You Missed at Day 1 of Treasure Island Music Fest.

Cut Copy on the Bridge Stage.

Citing Uptown Almanac's “diverse readership” and “popularity among San Francisco's tastemakers,” I managed to con Treasure Island Music Fest. into giving me a press pass.  Since you'll already be hearing endless chatter about the bands themselves (a summary: Dizzee Rascal fucking killed it, Cut Copy was fun as hell but people weren't really digging their new stuff, Chromeo was the place to dance, who the fuck is Shabazz Palaces and why were they repeatedly yelling “Ron Paul” on stage?, did I mention Dizzee Rascal sounds like a pirate? (“I heard yar into dubstep arrround harrr”), I wish YACHT went on stage after the drugs kicked in), and the folks at TIMF thought better than to let me into the photo pit, I'll let you know what went down off-stage.

Unsurprisingly, there were plenty of bros in attendance.

It took 97 long minutes for the festival to get underway until you could begin finding girls puking while their friends and Mission bloggers stood idly by.

Kids were all the rage this year, with parents strapping three-year-olds dressed in leopard pants and industrial-strength neon pink headphones to their chests (Child Protective Services could not be reached for comment).

With my dishonestly-obtained press pass, I was permitted access to backstage press lounge. The lounge itself was basically a big tent with wifi and a plastic toilet, but you were able to 'mingle with the stars' as they conducted interviews and blessed people with the permission to photograph them, as we can see here with YACHT being accosted by an army of bloggers.

IndieMart's Camp D.I.Y. was definitely the place to relax and be stoned, as you just chill out and watch chickens with Yoda backpacks play with succulents.

Two smuggled whiskey-Sprites later, YACHT was still posing for photographs next to the handwashing station.

Back at the show, a bear humped a tree branch.

Dr. Bro Manchu has abandoned his criminal ways for a new life of rice farming and gnarly bass lines.

Obligatory pair of bearded ladies.

Never being too far away from Burning Man, a flock of LED jellyfish made their way through the crowd during the Cut Copy set.  As they passed to my left, a person standing near me stared at the stars and repeatedly mumbled “I love music.”

And we're out.