Music

Public Enemy to Open for Girl Talk at Treasure Island Music Fest 2012

Treasure Island Music Fest just announced their fairly epic 2012 lineup (via The Bay Bridged). I've been a fan of the XX and Best Coast ever since I read about them on Hipster Runoff.  Girl Talk speaks for himself.  And Porter Robinson is fun, even if his Essential Mix was pretty much A Clockwork Orange's chair of torture for your ears.

So allow me to just get this out of the way now: I love TIMF.  I love that they mistakenly surrendered a pair of press passes to me last year.  I love the ferris wheel.  I love the cries of under-dressed attendees as the fog rolls in.  It's a helluva time, that music festival on Treasure Island.

But what I'm having trouble wrapping my head around is why Public Enemy is opening for a dude who samples Public Enemy.  Was this done for chronological accuracy and an effort not to fuck up the space time continuum?  If that's the case, Grimes should headline because she's technically in the future and The Coup's should open, as their hair still resides in 1974.

This notable 2011 festival attendee knows what I'm talking about:

Local Band French Cassettes Really Into Primary Colors, Hand Socks And Summer Sounds

Back in May this cool thing happened called the Music Video Race — 16 local bands were matched up with 16 filmmakers to create 16 music videos over the course of one weekend in San Francisco. The result were 16 pretty awesome bits from local bands, my personal favorite being the above “Mouth Drum” by the French Cassettes. The video reminds me of a smaller version of the Brady Bunch, or that time when someone who wasn't me 'shroomed in my parents basement while playing Twister.

If you have some time, watch them all and enjoy.

Tell Me How Those Players Do It In The Western Bay

Couple of SF rap videos from 93-95 because fuck that third eye blind fuckery. No one needs to revisit that bullshit ass music but you can floss your west bay player swag. And also the Get Low is one of the most fun dances you can do. You don't even have to be good at dancing, just bend your knees, bounce, and just look hella cutty when you're doing it.

Third Eye Blind Takes Us on a Semi-Charmed Tour of the 1997 Mission District

For those with a fond memory of 90s pop music, Sunday marked the 15th anniversary of the release of alternative boy band Third Eye Blind's epic jam “Semi-Charmed Life.”  And an epic jam at that.  For many, the song marked the first opportunity for our bad young selves to con our oblivious parents into letting us buy a deceptively dark album because it sounded innocent. For others, an exemplary lurid journey into the fanciful whimsy of drug abuse.

However, ignoring the grim reality that this song is now fifteen-fucking-years-old (and that I actually know what day of the year it was released), its music video is of some serious San Francisco historical significance, as nearly all of it was filmed in the Mission and Dogpatch.

See, the summer of 1997 was a different time in the Mission.  Before all the tech industry types and foodies moved in, before the divisive and tumultuous years of anti-gentrification riots, the Mission was a lovely neighborhood exclusively populated by Latinos and happy-go-lucky tweakers.  And, lucky for us, four of those happy-go-lucky Jesse Pinkman's went on to sell millions of records and indirectly film a video for us neighborhood types to enjoy today.

Sadly, like so many other artifacts from our digital youth, no good copy of this music video exists on the internet, so we'll have to settle for the pixelated blur embedded above.

Below, the highlights:

After riding around the Dogpatch on scooters, lead singer Stephan Jenkins angrily stomps down Valencia Street past Valencia Cyclery, punching a wall for no apparent reason.

As Stephan approaches the corner of 22nd and Valencia, we watch as mid-90s Mission hipster, then known as a dweeb, types sonnets on a real life typewriter outside of Boogaloos, presumably while paying, like, a nickle for eggs.  As you may recall, in the mid-90s, portable electronic typewriters with fruit logos were not readily available, so kids had to haul around gnarly typewriters in their L.L. Bean backpacks with the initials “AZZ” stitched on the back.

Based on the man's layering of long-sleeved outerwear, we can surmise the weather was quite summer-like.

Here we see and the band performing in some empty unknown venue with a big old safe dial behind the stage.  Presumably, this place doesn't even exist anymore.

As the video takes an eastward turn down 22nd, we watch as a flock of mega babes flaunting it on their way to Make-Out Room.  All these girls probably have kids and live in Antioch now, which is just upsetting.

Stephan is shocked—SHOCKED!—that these girls walked passed him, so he visibly gasps in disbelief will strutting backwards towards Mission Street.

Bonus! We can see the old Leed's Shoe sign at the corner of 22nd and Mission, now a Skechers.

(Here's what this block looks like on the Google internet map.)

After getting shunned by the now-mothers, he proceeds to fellate a bunch of produce outside a market, currently a Latin lounge where iPhones go astray.

(Close-up of that market today, to the right of Anita's Beauty Salon.)

Following more bank safe jamming, Stephan goes on to throw a tantrum in an alley.  I'm not sure which alley this is (or why his sideburns are so thin), but it could be Poplar, near Papalote Taqueria:

Finally, Stephan walks across Potrero Hill's Abbey Road, wrapping up our tour of bougeoning 1997 San Francisco.

The Ghost of Pop

There he is, Michael Jackson, in all his ghostly, cobwebby glory dancing around the backyard of some Mission District apartment.

Tim Cohen (of the Fresh & Onlys) and 8th Grader Doing a Free Show Tonight at Brick + Mortar

Tim Cohen of The Fresh & Onlys has a side project called Tim Cohen.  He's got a Daniel Johnston-esque vibe going on with his music and artwork, so if you like sociopaths and musical genius, this will definitely be worth checking out.

Plus, Music For Animals' frontman's new side project 8th Grader is gearing up to release their latest album, so expect a lot of new stuff from them.  And while they don't have any new videos or anything, Music For Animals' If Looks Could Kill is always a fucking rad watch:

Anyway, the show is free, pints of Trumer are three bucks and all Sailor Jerry drinks are five.  See you there!

[via FunCheap]

The Fresh & Onlys, UMO and Dominant Legs to Headline Phono Del Sol

The Bay Bridged recently unveiled this year's Phono Del Sol line-up, and it's a doozy.  Plus, they're going to have a mess of food trucks on hand if that's your sorta thing.

Now, you're probably noticing the $7-$10 price tag, which is notably more expensive than last year's price of free.  But we're told they're investing in much better equipment, so the sound will be wayyyyyy better this go around.  And louder!  Besides, it's only $7 for a 7 hour festival, you cheap lil' shit.

Tickets will be going on sale Tuesday.  In the meantime, here's the strange video for Unknown Mortal Orchestra's strange single:

Xiu Xiu Playing Bottom of the Hill Tonight!

The last time I saw Xiu Xiu was something like eight years ago in what seemed like a senior center auditorium in the middle of Cambridge.  While half the audience scoured the place for the assumed residents' cache of painkillers, Jamie and one of his revolving cast of bandmates wooed over the crowd over what had to be the worst PA system of all time.  A grand time was had by all and after the show we all went out for malt shakes and new walkers.

But that was something like eight years ago.  Since then, Xiu Xiu has gone through even more members, and now we have songs like “I Luv Abortion” to deal with.  And I don't exactly think they're making a habit of playing shitty auditoriums with rattling windows anymore, but that's probably not a bad thing.  So should you want to see one of the only good things to come out of San Jose in 15 years in one of the city's more beloved venues, head over to Bottom of the Hill tonight.

The Life and Times of a Bay Area Music Composer

Filmmaker Kate Imbach profiles San Francisco modern classical composer Christopher Fulkerson, who has taken up the night shift as a taxi driver to pay the bills following the collapse the industry in the early 90s.  He's got a lot on his mind, like how buying a PC over a Mac set him back for a decade, the collapse of the Soviet Union impacting him all the way here in America, the superiority of pencils, technology expanding his audience, and how driving a taxi opened him up to a nightlife he never knew existed.  It's a frightening, if not sad look into the life of everyday American artists, and it's definitely worth a watch.

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